| 2024-11-15 |
The Two Pages sketchbooks have travelled the world, and will restore your faith in creativity |
Features ‧ Jenny Brewer |
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| 2024-11-14 |
Miami’s hotspot: Adobe MAX 2024 introduced text-to-video AI generation to its Adobe Creative Cloud offer |
Work ‧ Sponsored Content |
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| 2024-11-14 |
Jessica Hische on opening a brick and mortar store, making a children’s book and all things letters |
Work ‧ It's Nice That |
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| 2024-11-14 |
“I’m a big proponent of gatekeeping”: Special Offer on business, brands and brat |
Work ‧ Harry Bennett |
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| 2024-11-13 |
Stephen Sawyerr’s electric short film centres on a karate dojo in Harlem’s Little Senegal |
Work ‧ Olivia Hingley |
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| 2024-11-13 |
How do you create a visual identity for something you can smell, not see? AWP shares its tricks |
Work ‧ Ellis Tree |
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| 2024-11-13 |
Pernod Ricard’s illustrators in residence 2024 explore the global cultural nuances of sharing a tipple |
Features ‧ Sponsored Content |
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| 2024-11-13 |
Craig Gibson captures the return of his hometown’s iconic greasy pole challenge |
Work ‧ Marigold Warner |
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| 2024-11-13 |
David Brandon Geeting on having a beginner’s mindset to photography and going with your gut |
Work ‧ It's Nice That |
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| 2024-11-12 |
The View From LA: the grassroots design events fuelling the city’s creative heart |
Work ‧ Meg Farmer |
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| 2024-11-12 |
Kaming Lee is fascinated by the kinship between graphic design and stir-frying |
Work ‧ Roz Jones |
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| 2024-11-12 |
Creative Mothers is Dunja Opalko’s tender portrayal of balancing parenthood and work |
Work ‧ Marigold Warner |
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| 2024-11-12 |
Kelly Belter on stamps, vintage matchbooks, and coins — the joys of illustration in the smallest of places |
Work ‧ Ellis Tree |
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| 2024-11-12 |
The tricky balance between organised chaos and visual noise: Vanilla Chi on developing a distinct illustration style |
Work ‧ It's Nice That |
|
| 2024-11-12 |
“Hearing their experience could be the boost you need” |
Work ‧ Shanice Mears |
|
| 2024-11-11 |
Why weird works: How Jessica Walsh is breaking down bland |
Work ‧ Sponsored Content |
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| 2024-11-11 |
Foxes and friends: Lakshan Dharmapriya photographs the two species that coexist in his garden |
Work ‧ Olivia Hingley |
|
| 2024-11-11 |
This warped identity for Pressure Systems was made with an old Xerox photocopier |
Work ‧ Ellis Tree |
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| 2024-11-11 |
Meet Le Dimanche, the studio bringing a “sunday kind of feeling” to design |
Work ‧ Ellis Tree |
|
| 2024-11-08 |
Artefacts, memories, ephemera and stuff: Zoë Pulley on using creativity to “spotlight the ordinary” |
Work ‧ It's Nice That |
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| 2024-11-07 |
This new brand identity for audio studio Skillbard wiggles and flexes like soundwaves |
Work ‧ Roz Jones |
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| 2024-11-07 |
Nonna’s Cam reminds us to slow down and appreciate creative mistakes (and our grandma) |
Work ‧ Roz Jones |
|
| 2024-11-07 |
“Wikipedia rabbit holes” are the backbone of Chantal Jahchan’s intricate editorial collages |
Work ‧ Olivia Hingley |
|
| 2024-11-06 |
Connect with your inner child through Cécile Cuny’s wondrous illustrations |
Work ‧ Roz Jones |
|
| 2024-11-06 |
Terry Graham finds family and community in the high adrenaline arena of monster trucks |
Work ‧ Roz Jones |
|
| 2024-11-06 |
The Nice List: Our creative gift guide to the best independent makers this Christmas |
Features ‧ It's Nice That |
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| 2024-11-06 |
Tentacles, pearls, and holy taboos: Inside Joyce Lee’s archive of the ethereal and obscene |
Work ‧ Marigold Warner |
|
| 2024-11-06 |
“Art is a way of saying the unsayable”: Jeremy Deller and John Costi on curating an exhibition by people in prison |
Features ‧ Olivia Hingley |
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| 2024-11-05 |
Alice Proujansky pairs intimate family photos with archival objects to explore her parent’s radical past |
Work ‧ Marigold Warner |
|
| 2024-11-05 |
Eleni Papazoglou’s experimental publication sits somewhere between a museum archive and an Argos catalogue |
Work ‧ Olivia Hingley |
|
| 2024-11-04 |
Malou Messien on her obsession with display type, secondhand book covers and Estonian design |
Work ‧ Ellis Tree |
|
| 2024-11-04 |
The Creative Director’s Checklist: The ultimate guide to effective brand building from Frontify |
Features ‧ It's Nice That |
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| 2024-11-04 |
“Establish some clear criteria for what makes the design you’re working on a success” |
Work ‧ Alex Bec |
|
| 2024-11-04 |
POV: The cool factor of zines draws brands, and hurts publishing |
Work ‧ Ione Gamble |
|
| 2024-11-04 |
Mat Maitland’s new book presents 15 years of surrealist-pop collages |
Work ‧ Marigold Warner |
|
| 2024-10-31 |
The View From Berlin: why stickers speak for the city’s creatives and activists |
Work ‧ Milly Burroughs |
|
| 2024-10-31 |
From Form’s Amsterdam Museum Night campaign is a portal to another dimension |
Work ‧ Olivia Hingley |
|
| 2024-10-31 |
A new book from the V&A digs into the past, present and future of digital art |
Work ‧ Roz Jones |
|
| 2024-10-31 |
Death and design: the creative projects confronting society’s ultimate taboo |
Features ‧ Olivia Hingley |
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| 2024-10-30 |
Penpals, but make it design: 2ly’s monthly letter project is bringing beauty back to post |
Work ‧ Harry Bennett |
|
| 2024-10-30 |
For the Love of Grass: Joel Barney’s tender portrait of football’s unsung heroes |
Work ‧ Ellis Tree |
|
| 2024-10-30 |
“A therapeutic outlet”: Kat Green documents the transition of her close friend, Tam |
Work ‧ Olivia Hingley |
|
| 2024-10-29 |
Blend: The new analogue toolbook for graphic designers |
Work ‧ Ellis Tree |
|
| 2024-10-29 |
Chris Shepherd’s heartfelt graphic novel is a story of family, young love and Liverpool |
Work ‧ Olivia Hingley |
|
| 2024-10-29 |
Lakwena on what has made her work fly: songs, lots of colour and large scales |
Work ‧ It's Nice That |
|
| 2024-10-29 |
Inside Flacido Placido’s soft, naive and joyful plasticine playground |
Work ‧ Ellis Tree |
|
| 2024-10-28 |
Live, Laugh, Love, Revenge: Why Harriet Richardson swapped a career in graphic design for performance art |
Work ‧ It's Nice That |
|
| 2024-10-28 |
“When you’re accepting a job is the time to question the fine details” |
Work ‧ Katie Cadwell |
|
| 2024-10-28 |
One for all seasons: Displaay’s new typeface is a boundary-shifting sans to serif collection |
News ‧ Sponsored Content |
|
| 2024-10-28 |
Diyala Muir’s animated short Red Shoes explores the entrapments of femininity |
Work ‧ Ellis Tree |
|
| 2024-10-28 |
Designer and collector Ashley Kinnard on the unpolished power of printed matter |
Work ‧ Marigold Warner |
|
| 2024-10-28 |
Inès Gradot’s inky marker pen drawings blend into Risograph prints that look like paintings |
Work ‧ Ellis Tree |
|
| 2024-10-24 |
Sirui Ma on capturing the characters that keep New York’s subway running |
Work ‧ It's Nice That |
|
| 2024-10-24 |
“I am the subject and the maker”: Marie Smith on documenting the Black non-binary body in nature |
Work ‧ Ellis Tree |
|
| 2024-10-24 |
Endure the insufferable sounds of crunchy snacks in Holly Hunter’s new comedy short |
Work ‧ Ellis Tree |
|
| 2024-10-24 |
Víctor Arce’s hazy, digital artworks are inspired by the nostalgic touch of retro computing |
Work ‧ Ellis Tree |
|
| 2024-10-23 |
In Search of a Haven imagines a world where identification is a path to “liberation” rather than control |
Work ‧ Olivia Hingley |
|
| 2024-10-23 |
Collins’ rebrand of Bose leaves the original 1960s wordmark (mostly) untouched |
Work ‧ Harry Bennett |
|
| 2024-10-23 |
This new editorial and events platform explores the intersection of technology and mysticism |
Work ‧ Harry Bennett |
|
| 2024-10-23 |
Talia Cotton, Base Design, Fumi Nagasaka and Richard A Chance: Tickets now available for November’s Nicer Tuesdays in New York! |
Work ‧ It's Nice That |
|
| 2024-10-22 |
Spotify now lets you create and customise your own playlist covers, in-app |
Work ‧ Harry Bennett |
|
| 2024-10-22 |
Turner Duckworth’s Kleenex rebrand features a bespoke serif inspired by “a mean case of the sniffles” |
Work ‧ Harry Bennett |
|
| 2024-10-22 |
Jakub Gessler captures the heart and humour of human-animal relationships |
Work ‧ Marigold Warner |
|
| 2024-10-21 |
Somesuch Stories 8 visually grapples with the many interpretations of ‘tension’ |
Work ‧ Olivia Hingley |
|
| 2024-10-21 |
“Try and bring some inspiration to your life outside of work” |
Work ‧ Alex Bec |
|
| 2024-10-21 |
Ntsal use origami and ornamentation to evoke refinement for a classy events space |
Work ‧ Marigold Warner |
|
| 2024-10-21 |
Ten photographers demonstrate the raw and resonant power of instant photography |
Work ‧ Harry Bennett |
|
| 2024-10-21 |
POV: Is working online causing a rise in rudeness? |
Work ‧ Lucy Bourton |
|
| 2024-10-18 |
Elastic brands: How to adapt to the shifting landscape of branding |
Features ‧ It's Nice That |
|
| 2024-10-18 |
Elizabeth Goodspeed on the new battleground of political swag |
Work ‧ Elizabeth Goodspeed |
|
| 2024-10-17 |
Carson Stachura captures a reality in which queer and trans people “can be seen, not just looked at” |
Work ‧ Ellis Tree |
|
| 2024-10-17 |
When perfectionism makes you a better creative, and when it doesn’t |
Features ‧ Jenny Brewer |
|
| 2024-10-17 |
Omse on creating a brand that shouldn’t need to exist |
Work ‧ It's Nice That |
|
| 2024-10-17 |
Celebrate the legacy of Black design at this free event from Today at Apple |
News ‧ Sponsored Content |
|
| 2024-10-16 |
Studio Ivy/Aidan lets the interplay of materials and mechanics lead its practice |
Work ‧ Ellis Tree |
|
| 2024-10-16 |
The View from São Paulo: the book designers turning heads and pages |
Work ‧ Elaine Ramos |
|
| 2024-10-16 |
The Filial Daughter孝女 by Mengyu Zhou is a tender story of Chinese womanhood |
Work ‧ Harry Bennett |
|
| 2024-10-16 |
Anthony Burrill and Oswin Tickler showcase the “abstract nature of type” with creative code |
Work ‧ Ellis Tree |
|
| 2024-10-15 |
Dinamo, Emmanuel Cole and Rose Pilkington: Tickets now available for November’s Nicer Tuesdays! |
Work ‧ It's Nice That |
|
| 2024-10-15 |
NERD Productions on navigating the double-edged sword of animation’s tech boom |
Features ‧ Sponsored Content |
|
| 2024-10-15 |
Henry Gorse’s new book aptly asks, Who the Fuck is Henry Gorse?! |
Work ‧ Harry Bennett |
|
| 2024-10-15 |
Jason Sturgill’s playful doodles are a reminder to embrace imperfection |
Work ‧ Marigold Warner |
|
| 2024-10-15 |
Us By Night’s return is a raucous and rousing success |
Work ‧ It's Nice That |
|
| 2024-10-14 |
“Show me who you are and how you work, not what you’ve done” |
Work ‧ Katie Cadwell |
|
| 2024-10-14 |
Typography for the Perth Institute of Contemporary Arts draws from its distinctive architecture |
Work ‧ Harry Bennett |
|
| 2024-10-14 |
Juggling life’s threads: a layered portrait of a father, mechanic and fashion designer |
Work ‧ Marigold Warner |
|
| 2024-10-14 |
Tina Tona is exploring her dual heritage through pop culture and collage |
Work ‧ Ellis Tree |
|
| 2024-10-11 |
Can DJ school make you famous? Anu Ambasna’s hand-painted comic explores |
Work ‧ Olivia Hingley |
|
| 2024-10-10 |
You don’t need to be in Miami to experience 2024’s Adobe MAX |
Work ‧ Sponsored Content |
|
| 2024-10-10 |
Tara Booth compiles 100 hilarious comics that have been getting her through it |
Work ‧ Ellis Tree |
|
| 2024-10-09 |
DixonBaxi’s Roli rebrand is tactile, warm – and purposely non-tech |
Work ‧ Harry Bennett |
|
| 2024-10-09 |
Jacek Rudzki on graphic design, collecting trash, and returning to a childlike sense of creative freedom |
Work ‧ Ellis Tree |
|
| 2024-10-09 |
Four zines for 40 years of Paper Magazine, designed by Callum Abbott |
Work ‧ Olivia Hingley |
|
| 2024-10-09 |
Meet SOOT: a visual-first filing system that turns chaos into clarity |
News ‧ Sponsored Content |
|
| 2024-10-09 |
The Sharp Type rebirth: what’s next for Lucas Sharp and Chantra Malee? |
Features ‧ Elizabeth Goodspeed |
|
| 2024-10-08 |
Applications open for the It’s Nice That x DROOL Artist Open Call |
Work ‧ It's Nice That |
|
| 2024-10-08 |
It’s what she would have wanted: Good Mourning documents the Queen’s passing |
Work ‧ Harry Bennett |
|
| 2024-10-08 |
Making the leap from in-house to freelance – “your opportunity could come from anywhere” |
Work ‧ Shanice Mears |
|
| 2024-10-07 |
Christoph Florin merges analogue and digital worlds through window views in browser windows |
Work ‧ Ellis Tree |
|
| 2024-10-04 |
POV: The illustrators aren’t alright |
Work ‧ Liz Gorny |
|
